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Das Programm

2023

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Artificial Intelligence

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Dome Art: "There is no I in Art", "AI think, therefore AI am" & "Berl-Berl" (All Day)

9.7.23, 08:00

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15:00

<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> "There is no I in Art" is an evocative media art installation by Munich/Stuttgart based new media artists "lichtgestalten". It delves into the intricate dynamics of collectiveness, swarm behavior, individual genius, copycats, originality, and the evolving role of AI in the art world.
This immersive installation explores the idea that art is a collaborative endeavor, transcending the boundaries of individuality and embracing the power of collective consciousness.
As you enter, you are greeted by a mesmerizing swarm of virtual entities, representing a diverse array of influences and perspectives. They move in a fluid choreography, symbolizing the interconnectedness of human creativity. The installation highlights that artistic genius emerges from the collective knowledge, experiences, and inspirations that shape our creative endeavors.
Within the installation, audio snippets and visual fragments intertwine, blurring the lines between originality, homage, and imitation. These fragments represent the vast tapestry of artistic influences, from iconic artworks to groundbreaking technological advancements, while also inviting contemplation on the contributions of AI in the artistic process.
"There is no I in Art" challenges visitors to reflect on the notion of individual genius in an era when AI plays an increasingly significant role in creative production. It raises questions about the influence of AI algorithms, machine learning, and generative processes on artistic expression, and the delicate balance between human agency and technological collaboration.
Fostering the dialogue about the evolving nature of authorship and intellectual property, "There is no I in Art" is a captivating and thought-provoking multimedia experience that celebrates the intricate web of human creativity while prompting contemplation on the role of AI in the art world. It invites viewers to explore their place within the collective artistic endeavor, contemplate the ethical implications of artistic appropriation, and envision new possibilities for collaboration between humans and intelligent machines. <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> "I think faster than you. Does that make me a human being 2.0?"
Witness an artsy interpretation of a personified AI struggling to define its identity. Is it a digital meta-being, the narcissistic new kid on the block, or a human being 2.0?
Join the DOME experience and see things from AI-ME's perspective. <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> Berl-Berl is a living simulation of a virtual pulsating swamp, created as a collaboration between artist Jakob Kudsk Steensen, The Natural History Museum in Berlin and the singer ARCA, curated by Emma Enderby and comissioned by LAS.
All major cities are built on or near wetlands, but it is a story of environmental history that we have forgotten. The exhibition and online world Berl-Berl starts with a swamp as its protagonist – its ecosystem, history and mythologies – and pays tribute to the wetlands, the origin of the majority of urban centres. The piece was created through months of fieldwork researching the remaining wetlands of Berlin-Brandenburg. The findings were recreated in a 3D plan to create an enveloping, absolute landscape using the video game platform Unreal Engine, a constant within Steensen’s practice. Partnering with the Museum für Naturkunde Berlin, local specimens were also woven from their extensive archive into the visual and acoustic world of Berl-Berl. Kudsk Steensen collaborated with sound artist Matt McCorkle and singer Arca to create the world’s soundscape. Arca’s voice morphs with environmental sounds that include those made by local amphibians.

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